Hovering delves into the intricate world of microsound, unveiling the nuanced interplay between auditory and visual cues. It explores the fragmented essence of sensory experiences, creating an audiovisual narrative where sound grains and visual particles intertwine to form a continuously evolving perceptual environment.

Field recordings from a playground are transformed using granular synthesis, where tiny fragments of audio become a 3-minute exploration of particular sensory interactions. This process redefines the original meanings of familiar sounds, as granular synthesis reorganises audio fragments from the order of milliseconds in the temporal dimension. 

The visual dimension of the project is directly influenced by the sounds, with the motion of visual particles being audio-reactive, creating a feedback loop that inspires new interpretations.

The project bridges the gap between granular synthesis and Gestalt psychology principles, illustrating how the organisation of sound grains at micro levels can influence and define perception on a global scale. By focusing on the micro-level interactions between sound and visual elements, Hovering encourages viewers to perceive and interpret the overall environment in new and unexpected ways.